I remember how often I would draw endless patterns in my notebooks. Later, I began creating jewelry with stones—mostly pieces of glass, coal, or natural volcanic stones that I found outdoors or along the seashore. I have always loved watching my grandfather masterfully engrave patterns into metal, and I was fascinated by it.
At first, I felt shy because my ideas did not come from images or references. They came from deep within my subconscious, as if from a secret archive of my soul. Then I understood that there is no danger in art.
Now, whenever I feel the desire to pick up a pencil and draw, I listen to the sense of freedom within my soul and feel an extraordinary confidence that inspires me to create.
In 1994, my art began to take shape through art objects and jewelry. It was precisely the contemporary designer approach to jewelry, combined with the use of the latest technologies, that allowed me to distinguish myself from other jewelry artists.
For me, networking means being part of a creative community of artists where I can communicate, exchange thoughts and ideas, find inspiration in the work of other talented creators, and gain experience. It fills and enriches my soul.
In my view, art is a spiritual experience. I have worked to develop my ability to recognize what is stylish, harmonious, and relevant. That is why I visit numerous jewelry exhibitions around the world every year, where I have the opportunity to meet jewelry artists personally. Each of us is unique, with a complex individuality that cannot be compared to anyone else.
Today, I see particular importance in networking through social media and specialized platforms dedicated to international contemporary jewelry art, such as Klimt02.